Over the course of the past few years, I have been exploring the staging and manipulation of photographic images, informed by my place (México) and time (now, juxtaposed with then). Michel Foucault wrote that “we are in the epoch of simultaneity; we are in the epoch of juxtaposition, the epoch of the near and far, of the side-by-side, of the dispersed.” And this is, indeed, what it is like for a nomadic world citizen.

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